The commands contained by the Light cue are listed here in the order in which they were added to the cue, with the most recent addition at the bottom. If moving a particular command by sorting would change the result, that command is left un-sorted. The Safe Sort Commands button sorts the light commands in the cue alphabetically, but since commands in a Light cue are interpreted in order from top to bottom, QLab considers whether moving the command would change the end result of the cue. Instruments or light groups which already have commands in the cue will be greyed out. This is an alternative to the command line, and you can use whichever you prefer, or both. Selecting an instrument or light group will add a command for that instrument or light group to the cue. The Add Command pop-up menu contains an ordered list of all the instruments and light groups contained in the workspace. You can learn more about lighting commands in the Lighting Command Language section of this documentation. Lighting commands can be typed in to the command line to quickly add them to the current cue. The Levels tab shows the lighting commands contained by the cue.Īt the top of the Levels tab is the lighting command line. When a Light cue is selected, the inspector shows the Basics tab and Triggers tab, used by all cues, as well as the following tabs: The Levels Tab Light cues do not have a target they can act upon one lighting instrument parameter, several, or every parameter for every light in your workspace. Light cues behave similarly to Fade cue in that they have a specific duration and a curve shape which define how the cue’s saved levels will be applied to the live lighting state over time. Now, you can scale the values of cue 10 between 0 and 1 when they are pulled into another light cue.Light cues allow you to set and save lighting commands which set levels for lighting parameters. Previously, a light command like “all = cue 10” would set exactly the values specified by light cue 10. We have updated the instrument definitions shipped with QLab to include these new virtual parameters, but if you open an old workspace you will need to manually update the instrument definitions in the workspace to access the new controls. Virtual parameters appear as custom controls on the right side of the light dashboard and the light cue levels tab of the inspector. For example, if you have an RGB light you can create a virtual color parameter which combines the raw red, green, and blue parameters into a single “color” parameter. You can now create “virtual” parameters out of an instrument’s raw parameters, which allow you to use a single control to modify several parameters at once. Virtual Parameters, Color Pickers, and Pan/Tilt controls They can not be faded to a lower value by Light cues until the submaster is brought down. Thus, any lights brought up by submasters will be at least at the level specified by the submaster. The values set by submasters are treated in a “highest value takes precedence” manner with respect to Light cues. You can adjust this up or down to scale all the lights in the cue relative to that factor. When a light cue appears as a submaster, it will appear with a scaling factor between 0 and 100. Light SubmastersĪny Light cue can now be used as a submaster in the Light Dashboard. We’re very pleased to release QLab 4.5, which brings a number of new features, free for all v4 license holders.
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